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Keepsake

Memory has a way of magnifying moments from the past, the cherished ones imprinted for all the right reasons (even if colored a little rosy by time), the ones we’d rather forget somehow finding a way to surface when we least want or expect them.

Today, on a day of scattered showers in a month now synonymous with celebrating poetry, memory takes me to a clipping my mother kept in her wallet, the first poem I ever published. I was a young girl and all I remember of the poem was its title, “Raindrop,” and the green mimeographed (anyone remember those days?) school newsletter in which it appeared, and how losing that when her wallet went missing was worse to her than the money and credit cards stolen.  Some things can never be replaced.

It’s always struck me as a little ironic that the very month dubbed the ‘cruelest’ by an iconic poet is the one designated to keep the spirit of poetry alive. Or maybe that’s the point. Poetry works best when it alludes to what’s not so obvious. It’s a way of perceiving the world in less than literal terms. To my thinking, it’s the music of language.  Nursery rhymes – enchanting as ever to read aloud – are only the beginning.

‘I don’t get it.’ ‘It’s too much trouble to figure out.’ In days of old, metaphoric thinking was an assumption. These days it takes some cultivation, although Twitter, with its abbreviated paradigm, has put a new brand on haiku. Like everything else – fashion, music, fiction – poetic forms are tuned to the world that give them expression.

The month of April, with its promise of renewal, happens to be the month my mother died. I read poetry every month of the year; in April, I give it even more attention.  I want everyone I know to hear the echoes I hear when I just look at the cover of Adrienne Rich’s book, What Is Found There, the title pulled from “Asphodel,  That Greeny Flower,”  a poem by  William Carlos Williams:

               It is difficult
to get the news from poems
		yet men die miserably every day
				for lack
of what is found there.

So now, on a day in a month that calls up showers (and the flowers to come) let’s hear it for a little less news, a little more poetry.  Like the best of poems that invite us to tease apart the images, here’s Bess, by Linda Pastan, in which a name “passed like a keepsake” becomes a link that connects a poem recalled, the poet’s mother, and an infant girl.

Visit Deborah’s website here . . .

I guess I love New York

Statue of LibertyDespite what the ubiquitous t-shirts proclaim, I never expected to love New York. I moved here from Chicago, a city that I did love, whole-heartedly and unconditionally, and I just couldn’t imagine New York even holding a candle to Chicago. I considered myself fair in my assessment, noting that New York had some advantages over Chicago, the most important being the public transportation system that was both more comprehensive and without the constant threat of shutting down my bus route. In my personal calculus, though, Chicago always emerged on top.

For one, Chicago doesn’t have the sheer crush of people that New York does. Perhaps even more importantly, in Chicago, tourists are generally confined to the Magnificent Mile, Millennium Park, and the museum campus. Chicagoans are fairly free to roam the remainder of the city without tripping over tourists. This is not so in New York. The tourists are everywhere, in every part of the city. When I first moved to New York, a double-decker tour bus rolled past my apartment no less than twenty times an hour.

For another, Chicago is more neat and orderly. An upside of the Great Chicago Fire that wiped out the city in 1871 was that it allowed for better city planning, and everything else has seemed to follow suit. Traffic moves in an orderly manner, people walk in an orderly manner, even the pigeons in Chicago seem to bob their heads in an orderly manner. Everything is more chaotic in New York: people zig-zag down the sidewalks, trash piles interrupt your path.

Regardless, New York has grown on me. It happened in a stealthy manner, sneaking up and winning me over before I even realized what was happening. It hit home just recently, shortly after I returned from a vacation abroad. I met some of my girlfriends for drinks near Times Square – a location dictated by the placement of their offices and the inclement weather. As I dodged the throngs of tourists and side-stepped the guys trying to sell me a comedy show, I found myself smiling. I had missed the bright lights and the city’s frenetic pace. I had missed riding the train over the bridge. I had missed the billboards and the scent of meat being cooked on the street. I had missed just walking through the crowds, sharing this little stretch of land with thousands of other people.

New York will never replace Chicago in my heart, but it’s managed to carve out a section all its own. I guess I love New York.

Read more from Katie on her blog, Perky to a Fault.

Born this way

Let me just say it – I have a thing or two in common with Lady Gaga, not the least of which is a Birkin bag. Mine is orange, a gift from an extravagant, dear friend who wanted to give me something she knew I would never buy for myself (she got that right).  I’ve been accused of treating mine more like a precious pet than a handbag; Lady Gaga has personalized hers, with scribbles on her white one and studs on her black one. Whether you call it defacement or art depends on which side of the fashion fence you sit.

Likewise, we share an appreciation for fabulous footwear. Christian Louboutin may be de rigueur for the Fame Monster; I don’t (yet) own a pair, but I have a fair selection of (other) designer shoes. The point? Anyone who dismisses shoes as frivolous trappings misses their cultural implications and what they reveal about worlds long gone to us; not to mention the individual stories they tell.

Here’s one: I’m at a Lady Gaga concert, not in high heels, much as I admire the (young) women in spikes and (frothy) white wigs. I’m in shoes meant for dancing, sporty French flats my daughter frowns at, but, hey, I’m here, on the floor of the Staples Center, L.A., less than fifty feet from the stage. My daughter, iPhone at the ready, is amused at my giddy state after a margarita (or two) and sends out a tweet, all her friends now privy to our repartee, She: are you drunk? Mom: no, I’m just high. And why wouldn’t I be? I flew across the country for a weekend with my daughter timed to Lady Gaga’s Monster Ball. The Scissor Sisters just happen to be opening for her, and right now they just happen to be playing “Take Your Mama.” Life is good.

Turns out that the night I’m at the concert, March 28th, is Lady Gaga’s birthday. She’s twenty-five, a milestone that my daughter hits a few months from now. I won’t even contemplate the implications. All that matters, right here, right now, is that I can’t resist the call, just dance. I’m in the thick of it, la crème de la crème of concerts, maybe you know the feeling – the thump thump thump when your heart isn’t beating on its own.

Stop callin’, stop callin’, I don’ wanna think anymore
I left my head and my heart on the dance floor
Stop callin’, stop callin’, I don’ wanna talk anymore
I left my head and my heart on the dance floor

So now let me say this: if not for another (almost) twenty-five-year-old, I might have dismissed Lady Gaga as more style than substance. No doubt marketing has played its hand in the phenomenon, a woman at the right place, the right time. But there’s also this: as talented a singer and musician as she is, it’s the medium she mines brilliantly to bring her message. The stage sets, the costume changes, the choreography, her connection with her fans become part of an equation in which person and persona merge, which may be the thing I admire most about her. Only two vowels – “a” and “I” – stand on their own as words.  We think of ourselves as ‘persons’; pay attention now, hear the word, the closed consonants. Persona, with its afterthought of a syllable is the more open-ended concept. Lady Gaga has cultivated a persona around being who you are. So now this person will stop writing, head into the kitchen, pump up the volume, make a dance of chopping radicchio. No cameras, please.

Visit Deborah’s website here . . .

Adventures in foreign pharmacies

If you travel with me, chances are good that we’ll need to visit a pharmacy. I’ll probably hurt myself or develop a headache, and, even though I should have known better, I probably will have left my bandages and acetaminophen at home.

On a recent trip to Italy, I was struck with a sinus headache. I had packed acetaminophen, ibuprofen, and a whole host of vitamins, but I had nothing for my sinuses. We were in Venice – near the Rialto Bridge, no less, an area crawling with English-speaking tourists – and so I had no problems getting something for my head. I walked into a nearby pharmacy and trotted out my best attempt at explaining my ailment in Italian: “il mal di testa … but sinus.” The pharmacist immediately produced some pseudoephredrine and explained the dosage to me in English.

It’s not always that easy. In fact, it’s usually not. My cobbled-together language skills weren’t enough to get me sinus medication in Guatemala, where I moaned “dolor de cabeza” while pointing at my eyes, my nose, and my temples. I even mimed a vise-like grip on my head. I had been pretty pleased with my miming … until the pharmacist handed me some eyedrops. Luckily, my Spanish-speaking boyfriend was just behind me and was able to communicate what I needed.

Armed with phrasebooks, I can usually at least get my basic ailment across to the pharmacist. This wasn’t the case in China, where I had a foot injury and needed a bandage. I did my best to sound out the Mandarin word for “bandage,” but the pharmacist clearly had no idea what I was saying. I tried once more before leaning over the counter to show her what I was trying to say. This caused her to erupt in laughter at my pronunciation, but she did produce a bandage. Unfortunately, it was an Ace bandage. With a bit more effort, I found the word for “adhesive” and walked out with a box of Chinese band-aids.

It was only marginally easier to get a bandage in Paris than in Xi’an, China, even though I had a phrasebook and was traveling with my mother, who speaks French moderately well. The situation was slightly compounded because I needed antibiotic ointment as well. We were unsuccessful in obtaining the goods until I sucked up my pride and showed the chic Parisian pharmacist my fairly embarrassing foot wound. She quickly gave me a bandage with antibiotic ointment inside.

At some point, one would think I would learn to travel with my first aid kit. Of course, that would make healing myself easier, but I think I would miss my interactions with foreign pharmacists.

Visit Katie’s personal blog here.

Mind Over Matter

In January 1990, my friend Nate and I were enthralled by an intriguing New Zealand tourist attraction: bungee jumping off a 160-foot crane perched over Auckland Harbor. We hung around watching people jump off the crane and bounce around over the water, whooping and hollering with resonant joy.

We liked that sound.

We decided to jump the following day. The entire night and morning of the next day we buzzed with a happy restlessness, anticipating our jumps with nervous excitement.

Nate dove off head first and screamed with abandon, his T-shirt gathered around his neck from the force of the bounce, exposing his pale chest. Five minutes later he was standing next to me, beaming.

“How was it?” I asked.

Although it was overcast that day, his eyes were a dazzling and fiery green with brown flecks ringing his dilated pupils. I looked at him, eyebrows raised.

“Go for it, Jess,” said Nate with the voice of someone speaking to me from the other side of a rite of passage. Who was I to turn down a challenge?

I paid seventy-five New Zealand dollars, and was ushered to the staging area below the crane. Sitting on the floor of a white metal cage, I was outfitted with a harness around my feet that would be attached to a thick latex bungee cord. “My lifeline,” I giggled nervously to the blond, tanned JumpMaster who was tending to me. He winked. As a final check, he expertly locked the bungee cord to my harness and tugged, and then unlocked it for the ride up. I stood. It was time. The JumpMaster entered the cage with me, and it rose slowly into the air. The pounding in my ears was so loud I couldn’t hear the JumpMaster speak to me. Uncomprehending, I watched his lips move.

Suddenly, everything stopped. There was only the insistent beating of my heart.  Animal survival instinct had alarms going off all over my body and was doing everything it could to make me reconsider, including hosting a hemispheric butterfly migration in my stomach, and giving me a severe case of dry mouth.

“I’m attaching the bungee cord to your feet,” said the JumpMaster.

“Ok.”

“I’m going to count down ‘Three-two-one-Bungee’, and when I say ‘Bungee’, that’s your cue to jump.”

“Do I have to jump a certain way?” I asked, my stomach in my throat.

“No, just lean out and jump forward.”

“Ok,” I lied.

“Ready?”

I nodded and gulped. He slid up the door of the cage.

“Three… two… one… BUNGEEEE!”

I took a deep breath, as if I were going to plunge underwater. Fully intending to jump out of the cage and propel myself forward, I sort of stepped off—in a manner closer to falling off.

I was in free fall as the nature around me burned into my retinas and the air automatically exited my lungs in the form of a loud scream. I felt like I was remembering one of the flying or falling dreams I had every so often—only it wasn’t a memory, and it wasn’t a dream. I watched as the surface of Auckland Harbor rushed up to meet me and passionately hoped I wouldn’t break it.

My bungee cord was at that time-stopping standstill point between being stretched to capacity and snapping back. In that moment I faced the water in silent wonder, praying Hello as one tiny drop of awareness should to an expansive water totem. I rebounded into the air, flying. A few minutes later I was back on land, rubber-kneed and giggling, hugging Nate as my flattened viscera slowly decompressed from the top of my thoracic cavity.

I realized I’d subjected myself to something very dangerous—and pointless. Though maybe not so pointless: I’d imposed my will over my animal instinct. The adrenaline high lasted for days.

This Is Your Life

My least favorite day of the year is in November, when we move clocks back an hour. Whatever I gain in sleep is no compensation for daylight taken from me earlier than I like. The other side of the coin, the springing ahead in March, is so worth the lost hour of sleep.  Both are a reminder of the arbitrary nature of measuring time.

Most days I get up in the morning to meditate. What draws me to meditating is a sense that, if I can’t really slow the passage of time, I can slow myself down; if I’m really lucky, I’ll get a glimpse of the tiniest bit of stillness, and with it a clarity that allows me to see the start of a day for what it is, nothing more nothing less. To be ‘in the moment’ is a kind of grace, no conscious thought about being in the moment. I tried meditating years ago, only to stop when I realized I was doing it for the wrong reason, which was to fix something in me.  What brought me to that realization was a celebration, my mother-in-law’s 80th birthday.   My husband and his siblings had orchestrated a surprise, three of their mother’s lifelong friends joining us in California, where she lives. To spend four days in the company of four very golden girls in full acceptance of whatever it means to be where you are, no searching for some deeper meaning in it all, was a gift.

An aunt of mine turned 80 last week and we celebrated, ironically the very Sunday of Daylight Savings Time. This aunt has three daughters and eleven grandchildren. She’s a woman who has traveled the world with my uncle, and she’s had her fair share of joys and heartaches. She is one of my few remaining aunts, and I don’t see her often. It’s the way we live now. One of her daughters put together a booklet, This Is Your Life, Marilyn. Turn back the clock, metaphorically speaking, and there would be a few more aunts and uncles, not to mention my mother and father, crowded into a private party at a small Upper West Side restaurant. Life events are as good a measure of time as anything.

Time – it passes too quickly, it’s what you make of it, it never stands still. Clichés, yes, but at the heart of them a wish, if only implied, that things can be other than the way they are. Time – it marches on, waits for no one – if only it didn’t rule our lives the way it does. Computer time – measured in tweets, hop-scotching hyperlinks, and typo-filled e-mails –speeds us up. If you’re staring at the second hand of a clock, it’s a good guess you’re bored and/or waiting for something or someone. And speaking of clocks, as Howard Mansfield points out in a delightful New York Times op-ed piece, clock time is nothing more than a “convenient fiction.” He sheds light on the Puritan ethic that gave rise to the popularity of clocks, expensive as they were, in the formative days of the U.S. of A. Apparently there was a law on record in Massachusetts that made wasting time a crime: “No person, householder or other shall spend his time idly or unprofitably, under pain of such punishment as the court shall think meet to inflict.”  I kid you not.

All of which is to say, whatever it is that I don’t seem to have time for today is bound to be the very thing I crave when I have too much time on my hands.

Visit Deborah’s website here . . .

Playing the Piano

I learned to play piano on a cardboard keyboard.

Three panels that folded in on themselves, easy to tuck between the books and notebooks I carried back and forth to school, spread out on the table at home when I needed to practice. This is not the voice of nostalgia, just simple reality, the way it was.  Piano lessons were being offered at school, in the mid-1950s. I wanted to learn to play, so we met every week, a group of like-minded music lovers, taking turns sitting at the piano in the auditorium, the real deal, ivory in place of cardboard. If I showed enough interest, maybe I’d get a piano one day.

A good friend of my father’s had a son who was blind. It amazed me to listen to him play, sound and touch rolled into his fingers, nothing he needed to see, except what he pictured in his mind. He was musically gifted. I would practice hard, become good enough. One day, maybe months into my lessons, I came home after school, no expectation that it would be a day different from any other, a snack before homework. Certain surprise moments are indelibly imprinted, this one as vivid in memory as the day it happened, an upright piano, a gift from my grandmother, imposing itself in the living room.  The upright would one day be replaced by a spinette, more compact and richer in sound.  A small plaster bust of Beethoven would sit on the piano, a reminder not only of genius but also of poignancy and the power to imagine. If I could not fathom composing music without actually hearing the notes, all I had to was look over at the statuette.

Practicing scales on the piano in a small Brooklyn apartment takes more courage than one might imagine.  Hard to pretend you’re not being listened to. “Play ‘Pagliacci,’” my mother would call out, by which she meant “Vesti La Giubba,” the heart-wrenching aria about the clown crying inside/laughing on the outside; and this from my father, a regular comedian: “Do you know ‘The Road to Mandalay’? Take it.” Nobody had to ask me to play Chopin, my favorite. And all bets were off re: who’s listening? when my brother began playing drums.

I left the piano behind when I moved out on my own, the apartment I first lived in too small and my distractions too great.  The time would come, and with it the space, a larger studio, when my spinette, unplayed for too long would find its way back to me.  My mother would rather have shipped me the Baldwin baby grand she was forever beating herself up about not buying when the opportunity came her way.  The price, a deal if ever there was one, was no match for her daughter’s resistance to a large piano in a small apartment.

Marriage, a child, another move, it was all too much for the spinette. And yet, irony of ironies, one day I walk into my house, no expectation that it would be a day unlike any other, to find a piano – a Baldwin baby grand, to boot – in the alcove where it was always meant to be.

Sometimes when I would sit down to play, my dog would come over, place her two front paws on the piano bench, lift one to my arm.  What sounds beautiful (to me) is too much for her sensitive ears.  So maybe I don’t play as much as I like to, but I do play. The dog is gone now, yet somehow I still feel her paw on my arm.

Visit Deborah’s website here . . .

Confession: I watch a soap opera

Those of you who know me know that I have a favorite soap opera. It might be slightly misleading to refer to it as my “favorite,” implying that I have tried other soap operas and this one has emerged the winner, when that is not the case. This has always been my one and only soap opera. I’m not concerned with the semantics, however; I will proudly declare that it is my favorite, and I DVR it every day.

I was first seduced by this soap opera when I was in high school. The summer storylines centered around younger characters (which, I now understand, is a ploy to entice the younger viewers home on summer vacation, just like me) and even included a guest stint by a popular R&B artist, and, most importantly, the show was only thirty minutes long and on during lunch. It was the easiest thing to watch while eating my sandwich before moving on with my day.

My devotion to the soap waned when school started each fall, but, each summer, I picked back up where I left off. Sometimes there were new characters, or old characters replaced by new actors, but I only needed a few days to get back into the swing of things. I became a regular viewer in college, and, in a happy surprise, the girl who lived across the hall in my sorority house was also a fan. When she and I lived together with a third roommate, we recruited that roommate as well. We taped the show (because we had VCRs back then) and watched it together every day. We crafted a sign with cut-out pictures from Soap Opera Digest that read: STOP! DID YOU REMEMBER TO TAPE THE SOAP? We affixed it near the lightswitch so that the last person out in the morning would check to make sure that the VCR was set.

Our love for this soap opera, while a little silly, has helped keep us tight. We don’t see each other often (I live in New York, one lives in Chicago, and the other lives in downstate Illinois), and our lives are not as parallel as they once were (I dropped off the radar for years during law school, one runs marathons, and the other has a husband and a baby), but we can always connect through the soap. It’s our own special language. We regularly exchange emails, texts, and tweets voicing our disbelief about the leading lady’s latest scandal, our concerns over another character’s increasingly bad wigs, or our opinion on which beau the young blonde should choose.

Some people find it surprising that I have such a dedication to a soap opera. Soap operas are, after all, a dying form of entertainment and still conjure images of the target viewers being housewives eating bon-bons. I’m not embarrassed about it, however. The show provides some escapism and some laughs (because, honestly, sometimes the plot lines are too ridiculous to be taken seriously), and, most importantly, it helps me keep in touch with some of my dearest friends!

Looking for My Mula Bandha

Full disclosure: I’ve been doing yoga for a long time, long enough to have mastered some advanced poses I still won’t go near. Call me uncertain, call me cautious, call me teetering on an edge, the one between feeling fully grounded and light enough to let go.

Or maybe I just haven’t quite accessed that sweet spot, mysterious in name, mula bandha. Some yoga teachers I’ve experienced make an assumption of visualizing the internal,  the ‘root lock’ (two inches below the belly button and one inch in) at the core, one of the three through which prana flows. Contract the perineum, think of Kegel exercises; sometimes it gets even more anatomically specific. Other teachers go from the outside in, focusing on form and structure, the inherent geometry of a perfectly balanced downward-facing dog. I’ve had the great fortune to work with an especially brilliant teacher who peppers her classes with Taoist wisdom, baseball imagery, and the unfailing measure of a right angle, and once said, while maneuvering one of my limbs into a place it did not know it could go, that I was a 70-watt bulb operating at 30 watts.  I took it as compliment, a glimmer of possibility.  Putting aside the suggestion that hands-on adjustments make for touchy topics these days, it all boils down to trust. When the student is ready, the teacher appears.

Everything evolves, even the way we inhabit the practice of yoga, and in a world connected in ways the ancients could never have imagined (or did they?), there’s cross-breeding of paradigms, niches to be marketed, no need for a one-size-fits-all mentality, East and West melding in some new direction. So call me a little cynical now, even a cliché: a woman on the brink of some enlightened life, my age (sixty-one-ish) in perfect sync with the era I most identify with, who has been doing yoga long enough to laugh at articles suggesting that yoga mats are passé, possibly even unsanitary (I <3 my yoga mat); or that Tara Stiles’s approach to teaching makes her a rebel in yoga clothes; or that laughter yoga (you can’t make this stuff up) is, for some, the best medicine of all.

What you get out of yoga – or any discipline – is what you bring to it.  Fear of going upside down? Little by little it dissolves.  I used to measure my progress by how close I was to doing a full wheel (don’t ask me the Sanskrit name, just think of a gorgeous backbend) each year.  Now I’ve stopped measuring my progress, which may, in yogic terms, be the most progress of all. And if I still have trouble finding my mula bandha in mountain pose, maybe all I need is to shift gears, turn my gaze outside the box, take a Zumba class at the gym.

Visit Deborah’s website here . . .

Aquaphobia and scuba diving

I will occasionally talk myself into doing things far beyond my comfort zone only to panic after I’ve reached the point of no return. This is how I ended up almost thirty feet below the surface of the Caribbean Sea, my lungs full of salty water, wondering how – or if – I was going to get out of this one alive.

I have never had a comfortable relationship with water, and, at some points, I have believed that water was actively trying to kill me. This belief was only strengthened by two disastrous snorkeling attempts in Mexico.

The phrase “scuba diving” had always been enough to strike fear into my heart, but, when my boyfriend suggested a “fun dive” while we were vacationing in Thailand, I agreed. We had been backpacking, having adventures, for several weeks at that point, and I felt invincible. Adrenaline carried me through the dive, and for the first time in my life, I had a truce (albeit an uneasy one) with water.

I had justified the dive as a once-in-a-lifetime adventure, but, less than two years later, my boyfriend suggested we get our open water certification. This seemed reasonable when he suggested it from the safety of our apartment in Brooklyn, but, once we were in a dive shop in Honduras, it hit me: I had just paid a substantial amount of money to engage in a very serious and potentially deadly activity underwater.

In order to get our certification, we had to complete “skills.” Without question, the worst skill was removing the mask completely underwater and then replacing it again. When we had to perform the skill in open water, I hurried through, pulse pounding. I thought I had successfully cleared my mask, but, when I inadvertently inhaled through my nose, my nasal passages were infiltrated by salt water. Surprised, I coughed, spitting out my regulator.

Before I realized what was happening, I had inhaled and filled with lungs with water. Desperately, I gasped for air, but, of course, there was none. In my panic, I couldn’t remember how to find my regulator. This is what it feels like to drown, I thought. I turned toward the surface and prepared to swim for it, knowing it was dangerous to ascend without properly equalizing but not knowing what else to do.

Thankfully, Alex, our instructor, returned my regulator to my mouth and cleared it. Water was still in my mouth and my lungs, but at least I could breathe. Alex led us to the surface, and I ferociously coughed the remainder of water from my lungs.

I knew that if I didn’t complete the dive, we wouldn’t get our certification. Bad weather had disrupted our certification schedule, and we only had that afternoon to complete two dives. I had come so far by this point; I couldn’t leave in failure. We returned to the water to complete the dive, which thankfully had no more skills.

There was one more dive and one more mask removal to complete before we got our certification. I proceeded through as methodically as possible, repeating the steps in my head as a desperate attempt to drown out the voice of panic. After a seeming eternity of exhaling and repeating, Alex tapped me on the shoulder. I opened my eyes. My mask was clear. I had done it. We had completed our certification. We proceeded triumphantly to the surface.

My certification photo is ridiculous – soaking wet, mascara running, wrapped in a beach towel, and grinning the cheesiest smile ever while someone holds a towel behind my head as a make-shift backdrop – but it’s also one of my favorites because it represents the day that I finally conquered my fear of water.

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